NASA’s Cassini–Huygens spacecraft has discovered evidence for a large-scale saltwater reservoir beneath the icy crust of Saturn’s moon Enceladus. The data came from the spacecraft’s direct analysis of salt-rich ice grains close to the jets ejected from the moon. The study has been published in this week’s edition of the journal Nature.
Data from Cassini’s cosmic dust analyzer show the grains expelled from fissures, known as tiger stripes, are relatively small and usually low in salt far away from the moon. Closer to the moon’s surface, Cassini found that relatively large grains rich with sodium and potassium dominate the plumes. The salt-rich particles have an “ocean-like” composition and indicate that most, if not all, of the expelled ice and water vapor comes from the evaporation of liquid salt-water. When water freezes, the salt is squeezed out, leaving pure water ice behind.
Cassini’s ultraviolet imaging spectrograph also recently obtained complementary results that support the presence of a subsurface ocean. A team of Cassini researchers led by Candice Hansen of the Planetary Science Institute in Tucson, Arizona, measured gas shooting out of distinct jets originating in the moon’s south polar region at five to eight times the speed of sound, several times faster than previously measured. These observations of distinct jets, from a 2010 flyby, are consistent with results showing a difference in composition of ice grains close to the moon’s surface and those that made it out to the E ring, the outermost ring that gets its material primarily from Enceladean jets. If the plumes emanated from ice, they should have very little salt in them.
“There currently is no plausible way to produce a steady outflow of salt-rich grains from solid ice across all the tiger stripes other than salt water under Enceladus’s icy surface,” said Frank Postberg, a Cassini team scientist at the University of Heidelberg in Germany.
The data suggests a layer of water between the moon’s rocky core and its icy mantle, possibly as deep as about 50 miles (80 kilometers) beneath the surface. As this water washes against the rocks, it dissolves salt compounds and rises through fractures in the overlying ice to form reserves nearer the surface. If the outermost layer cracks open, the decrease in pressure from these reserves to space causes a plume to shoot out. Roughly 400 pounds (200 kilograms) of water vapor is lost every second in the plumes, with smaller amounts being lost as ice grains. The team calculates the water reserves must have large evaporating surfaces, or they would freeze easily and stop the plumes.
“We imagine that between the ice and the ice core there is an ocean of depth and this is somehow connected to the surface reservoir,” added Postberg.
The Cassini mission discovered Enceladus’ water-vapor and ice jets in 2005. In 2009, scientists working with the cosmic dust analyzer examined some sodium salts found in ice grains of Saturn’s E ring but the link to subsurface salt water was not definitive. The new paper analyzes three Enceladus flybys in 2008 and 2009 with the same instrument, focusing on the composition of freshly ejected plume grains. In 2008, Cassini discovered a high “density of volatile gases, water vapor, carbon dioxide and carbon monoxide, as well as organic materials, some 20 times denser than expected” in geysers erupting from the moon. The icy particles hit the detector target at speeds between 15,000 and 39,000 MPH (23,000 and 63,000 KPH), vaporizing instantly. Electrical fields inside the cosmic dust analyzer separated the various constituents of the impact cloud.
“Enceladus has got warmth, water and organic chemicals, some of the essential building blocks needed for life,” said Dennis Matson in 2008, Cassini project scientist at NASA’s Jet Propulsion Laboratory in Pasadena, California.
“This finding is a crucial new piece of evidence showing that environmental conditions favorable to the emergence of life can be sustained on icy bodies orbiting gas giant planets,” said Nicolas Altobelli, the European Space Agency’s project scientist for Cassini.
“If there is water in such an unexpected place, it leaves possibility for the rest of the universe,” said Postberg.
It happens once a year. Nearly all of Europe’s eyes are on 25 musical acts on finale night. Whether you love it or you hate it, it has your attention. Hundreds of millions are watching them. Whether viewers are waiting for the performance of a lifetime or a hilarious slip-up, for those three minutes their attention is owned by each respective singer.
That’s the feeling that the entrants in Moscow will know on Saturday, and it’s also the same feeling the eight singers who were interviewed by Wikinews have experienced. Last week, eight singers from eight different countries took time out of their various schedules to discuss their favorite moments from competing, their own personal anecdotes, advice they give to the performers this year in Moscow, who they think will win, and most importantly to them, what they’re doing now and what they’re offering to their audience.
This is the sixth and final interview set the English Wikinews will publish in the run-up to the semi-final and final rounds of the Eurovision Song Contest. Mike Halterman conducted all interviews, and will conduct additional interviews after the Contest. The final round airs May 16 at 9 p.m. CET; check with your national broadcaster’s website for possible delays. Where available, the Contest’s final round will also be broadcast on national radio.
Jessica Garlick, originally from Kidwelly in Wales, became famous in 2001 for her participation in the singing competitionPop Idol, where she finished in ninth place. Four months later, she won A Song for Europe, the British national selection for the Eurovision Song Contest, and went on to represent the United Kingdom two months later at the Eurovision 2002 final in Tallinn, with the song “Come Back.” She placed third, which turned out to be the best result for the United Kingdom for the decade. Now 27, married and a mother, Jessica Garlick is returning to music with a new set of priorities.
((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?
Jessica Garlick: Right now I’m busy promoting my new single “Hard Not to Fall” which is due to be released this month…it’s available to download from iTunes from 9th May, with the official release being 25th May. I’m also currently co-writing my album, which will be released later on this year. It really does feel great to be back in the music industry.
((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?
Jessica Garlick: Some of my best memories from doing Eurovision would be visiting Estonia, I don’t think it’s a place I’d ever have visited if it wasn’t for performing there, and it really is beautiful. While I was there during the week I had the opportunity to fly out into the Baltic Sea via helicopter and spend the afternoon on board HMS Chatham too. I was allowed to drive the frigate, and got to perform to the troops on board, who were so appreciative.
I have so many more, and met such amazing people during the whole promotion and run-up period as well as the Eurovision week itself. My only regret is not taking as many photos as I would have liked to. So my advice to others doing Eurovision would be [to] definitely take lots of pictures, and really enjoy your performance and everything that representing your country brings with it.
((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?
Jessica Garlick: I have been fortunate enough to have been able to perform alongside some of this year’s Eurovision entries, and was totally impressed! I love the Iceland entry this year…the song “Is it True?” is a really beautiful ballad, and Johanna sings it really well! I would say that from a song point of view, this is definitely my favourite song.
I do, however, think that the Ukraine could win this year! Svetlana‘s performance is crazy!! She’s absolutely wild! Her live performance is out of control! She is definitely “in it to win it”, and is going all out to ensure she does everything to make this happen. She is one to watch on the night for sure! There will definitely be something amazing going on on stage during her performance. She’ll keep you captivated, and make it memorable!!
((Mike Halterman)) A lot of the fans you had from when you were on Pop Idol and Eurovision 2002 don’t know the reason why you dropped out of music and out of sight. What happened? Also, do you find it difficult returning to the music industry after being away for six years?
Jessica Garlick: After Pop Idol and Eurovision I started to write songs…something I had never done before, and didn’t think I would be any good at. But I have been fortunate enough to travel the world since, co-writing with some of the world’s best songwriters. I decided to take a step out of the industry for a while in 2004 when I got married to my teenage sweetheart Owen.
I lost my passion for music for a while if I’m honest and we wanted to travel together for a bit, and actually moved to Australia for a short time, before I got totally broody. So in 2007 I gave birth to my little girl Olivia, and have been doing the wife and at-home mummy thing since, which I absolutely love!!
I made the decision to get back in the studio and start writing again in January of this year and it felt so good, and when I recorded “Hard Not to Fall” I knew it was a song that I wanted everyone to hear, and I completely got my passion and drive back for it. The music industry has changed a lot since I was last in it…but in actual fact it’s working better for me this time.
I have a lot more control, which is important to me, especially with Olivia being my main priority…I am first and foremost a mum, and I want to be a good one at that, and I’m also working with people that I really like and trust, which makes working together fun, and music should be fun. It’s definitely a lot harder this time around, as I am juggling “real life” too, and I can’t afford to be the selfish person that being successful in the industry can sometimes mean you have to be. I’m having the most wonderful time being back though, and am almost astounded by the great support I have from all my old fans. They’re the best!!
Ani Lorak, born Karolina Kuiek (the name “Ani Lorak” is “Karolina” spelled backwards), first became famous for her vocal talent in Russia and her native Ukraine in 1995. She took part in arguably the biggest performance of her career at Eurovision in 2008, placing second with the song “Shady Lady.” Celebrating her 30th birthday in September, she has kept up a busy schedule, including the release of a new album.
((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?
Ani Lorak: I’ve just released my new album called “Sontse” (The Sun). The album was written and recorded in Greece at the “VOX studio” by Dimitris Kontopoulos, who also helped with the song “Shady Lady” for Eurovision 2008. The album will be released not only in Ukraine but also in Russia.
In the autumn I plan to start a large tour of 25 cities in support of the new album. Also, we are planning to play some solo concerts in the Palace “Ukraine” in Kiev. I was pleasantly surprised when, at the beginning of the year, an award came to my office from the British radio station “Eurovision Song Contest Radio.” By audience vote, its listeners named me the “Best Female Singer for 2008” for my song “Shady Lady.” I don’t like to think ahead and to anticipate, but I’ll try to do as much as my energies will allow so people can be fulfilled in the future.
((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?
Ani Lorak: Because I participated in the contest only in 2008, I can remember it all: during the promotional tour I visited many countries in which I hadn’t been before. I met wonderful people: Dimitris Kontopoulos, Roberto Cavalli; I made new friends and supporters. [Editor’s note: Roberto Cavalli designed the diamond dress Ani Lorak wore during her Eurovision performance.] I had to work very diligently to get the result [I got].
In Eurovision I found the heart of this contest. The “Artistic Award”, which [they] usually hand to the best artist of the contest, [was given to me]; Raffaella Carrà invited me to her television program in Italy, and my tours took me further and further away geographically. I really liked the atmosphere of [the] contest. All the contestants were friendly, happy, helped each other, and supported one another. Those weeks were not simple, but very happy in my life.
I wish to all the participants lots of inspiration, tenacity, crazy energy, hard work and belief in yourself and your strength. It is not unachievable; the main thing is to settle for being frank and sincere to the audience.
((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?
Ani Lorak: I can say one thing – Eurovision is a very unpredictable contest, and to do any predictions is very difficult. I know that in Moscow this year there will be many very well-known professional artists: Sakis Rouvas and Patricia Kaas. The main thing in this contest is to enter the scene and present for your country 200%. I wish good luck to all participants, but I’ll root, as a patriot, for my country.
((Mike Halterman)) What goals have you not achieved yet in your career, but would like to eventually?
Ani Lorak: We have a proverb: “If you want God to laugh, then tell Him about your plans.” It’s important to have enough strength for my professional accomplishments, for my career, and for my eventual creative achievements. But all this must go together with my personal life. I want to realize my self-worth in all spheres. Maybe I’ll open my own clothing line.
But most importantly for me, every day I will raise the bar with regard to my professional development as a singer and artist. The main point – I have everything ahead of me, and I will go to [any lengths to] achieve my dreams — my Oscar is yet to come!
Marija Naumova, who goes by the stage name Marie N, is best-known to European audiences for winning the Eurovision Song Contest for Latvia in 2002 with her song “I Wanna.” The next year, she hosted the Contest in Riga with past Latvian entrant Ren?rs Kaupers. Now 35, she has moved a lot of her focus to musical theatre and is very serious about honing her talent.
((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?
Marie N: At this time I am a student at acting school in Paris, so now all [my] plans are more about theatre, but I also started to work on my new album and I hope that at the end of the year I [can] present that to [the] audience, but I think that at the moment it’s too early to talk about it. [smile]
((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?
Marie N: I liked everything during the week we spent there. We really had a lot of fun. The [atmosphere] was very professional, participants were very friendly…but the most emotional [part] was our trip back home – the way from Tallinn to Riga by bus with the police accompanying us and people waiting for us with flowers along the road…
The only advice is to enjoy every moment and especially the three minutes of the presentation – it is really something special. [smile]
((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?
Marie N: I think that there are a lot of songs which have chances to win, but it depends on the energy that [the] singers will bring with them [to] the stage on that special evening.
((Mike Halterman)) Which task was more fun for you, winning Eurovision or hosting it the next year? Which one made you more nervous, and why?
Marie N: Of course singing was more fun than the hosting because you are responsible only for yourself, but hosting brings a responsibility for the whole show. I wish all the best for all the participants; enjoy. [smile]
Niels Olsen, nicknamed “Noller,” (pictured, left) and his older brother Jørgen (right) make up the duo The Olsen Brothers. A well-known act in Denmark since the early 1970s, the duo successfully staked a new claim to relevance by winning the Eurovision Song Contest in 2000 with the entry “Fly on the Wings of Love.” Now 55, Niels Olsen uses every chance possible to let his audience know that age is simply a number, especially in Eurovision which tends to favor younger entrants.
((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?
Niels Olsen: We are working on a new album and we will make a small tour to Sweden, Norway and Denmark for the rest of the year, so that’s what our fans can expect. The album will be released in 2010.
((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?
Niels Olsen: The best memory…well, it’s hard to say…we had a lot of fantastic memories from Stockholm in 2000. We will never forget the love we received from the public in all the European countries right after Stockholm, and the response from the Swedish people at the event. Apropos, I said to my brother after the first performance, “Well, Jørgen, I think it could be possible for us to have a hit in Sweden!!”
I would say to a “new” artist: Remember that you are not the center of the universe, and in a world perspective, the situation is not that bad if you lose the Eurovision. Stick to the ones you love and try to involve people you believe in, not the ones who promise you everything in life. In our case we have had the same manager for 35 years, we have been working with our friend and producer Stig Kreutzfeldt for 25 years, and so on. We have [made] several hits the last 35 years with these fantastic friends.
((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?
Niels Olsen: Well, I haven’t heard all the songs, but I personally find the Danish, the English, and the Swedish songs very nice, but as I [said], I haven’t heard all the songs yet.
((Mike Halterman)) The Danish version of your winning song implies women “get better with age.” Which women in the entertainment industry do you think personify that sentiment, and why?
Niels Olsen: Personally I think my wife is still a beautiful woman, but I think as you said “getting better with age” is not the right word. My wife is still a lively and attractive woman, and we are both in love with life. I also think that a woman like Annie Lennox is a beautiful woman, even though she is past 50. (Sorry, [I know] we don’t talk about a woman’s age normally. Sorry, Miss Lennox.)
Hanna Pakarinen, from Lappeenranta in Finland, first became well-known in her home country for winning theIdolstelevision series in 2004. In 2007, she was chosen to represent Finland at Eurovision, placing 17th in the final with the song “Leave Me Alone.” Her most recent album went gold this year, and she celebrated her 28th birthday last month, her combined CD sales having risen to over 180,000.
((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?
Hanna Pakarinen: I released my fourth album “Love in a Million Shades” earlier this year, and now I’m doing gigs around Finland.
((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?
Hanna Pakarinen: I think the best memory is the moment when I got up on stage in the finals. That was amazing!
It’s hard to give any advice, but I think the only thing that’s important is just to be yourself and have fun. [smile]
((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?
Hanna Pakarinen: Of course I think the best song is the Finnish song. [smile] It’s very hard to say who is going to win; it’s the same thing every year, you never know!
((Mike Halterman)) Apart from music, what are some things that are very close to your heart? How would you like to use your popularity to help others?
Hanna Pakarinen: My family and friends, of course, and my hometown and the lake there.
I’m not really a big fan of the idea of being a role model but I’m trying to do my best, showing and telling the fans that the most important thing is to love yourself and be who you are. And always trust yourself, of course!
Charlotte Perrelli, originally Charlotte Nilsson, was an alumnus of two popular “dansbands” in Sweden before winning the Eurovision Song Contest in 1999 with the song “Take Me to Your Heaven.” She quickly became one of Sweden’s most popular solo artists, and released six albums which all charted in the Swedish Top 40. In 2008 she returned to Eurovision with the highly favored “Hero,” only to be saved at the last minute by jury decision and ranking a low 18th out of 25 nations in the final round. Perrelli, now 34, discusses her achievements and favorite moments of the past decade.
((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?
Charlotte Perrelli: I’m searching for new songs to [include on] my upcoming album. I´m also on the jury for the Swedish TV show Talang (Talent; the Swedish version of the “___’s Got Talent!” TV series). They can expect a new album, hopefully this year.
((Mike Halterman)) You went to Eurovision twice, winning the Contest in 1999 and then also entering last year. What were some of the best memories you had from both times you went to Eurovision?
Charlotte Perrelli: The victory in Jerusalem in ’99 was fantastic, of course. My funniest memory was when Dana [International] fell on-stage, it was unbelievable and I felt sorry for her. Last year I had a lot of memories. Everything was so different from ’99. So much bigger!
((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?
Charlotte Perrelli: I like many of the songs this year, but I believe Norway will win.
((Mike Halterman)) Which of the songs you’ve recorded is your favorite?
Charlotte Perrelli: Hmm. I have many favorites, but “Black and Blue” from my last CD is a great song; [it was] written by Fredrik Kempe. I love the lyrics.
Sirouhi Haroutunyan, nicknamed Sirusho, has been one of the most popular pop singers in Armenia since the release of her first album at age 13. In 2008, she represented Armenia at Eurovision, finishing in fourth place with the song “Qélé, Qélé.” Now 22, she is close to finishing her bachelor’s degree while still keeping up an active pace of performances and studio sessions.
((Mike Halterman)) What projects are you working on? What can your fan base expect to see from you this year?
Sirusho: I am currently working on a few big projects, one of them is the new song”Time to Pray” that I have made with my colleagues from Eurovision, Boaz Mauda and Jelena Tomasevic. The song is a protest against war, and the English lyrics are written by the President of Israel, Shimon Peres. I am also working on my fourth album which will be released in [the] summer. I also premiered my new song in Greek, “Erotas”, and it is already number one [on] all the Armenian music charts. My fans are very strong and it’s only a pleasure to work hard for them.
((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?
Sirusho: Eurovision is a big fun festival. I don’t want to call it a competition, because the contestants become friends. I wish for the participants to really enjoy [themselves] and not be scared of it. Eurovision can give and take so much; it took my career to a new level, [and] now I work and have fans all over Europe and it’s amazing.
((Mike Halterman)) The music videos for this year are up at youtube.com/eurovision. Which songs are your favorites and which country do you think has the best chance of winning?
Sirusho: I have met some of this year’s participants in different countries where I was singing as a guest and they were doing their promo tours. I haven’t seen all the performances so I can’t judge. Also, Eurovision is all about unexpected surprises; that’s what makes it interesting.
((Mike Halterman)) You pursued a bachelor’s degree in international relations. How do you wish to utilize your degree? If you had to stop singing tomorrow, what kind of career would you want to pursue with the degree you hold?
Sirusho: International affairs is something that had interested me. I like to learn. I always tend to learn more but I don’t even want to think about stopping my career. I was born with it, it’s a big part of who I am, and even if something happens to my vocal cords, I can go on with writing and producing songs for my colleagues…[but] enough about that; I still have so much in me to give to myaudience!
Taj?i, born Tatjana Matejaš, shot to fame in Yugoslavia at the age of 19, achieving diamond sales with her signature hit “Hajde da ludujemo“ (Let’s Go Crazy). She performed the song at the Eurovision Song Contest in 1990, held in her hometown of Zagreb, and placed seventh. The war in the former Yugoslavia cut her career short, and she moved to the United States, where she has lived for the past 17 years. She now tours with her husband across the United States, performing selections of contemporary Christian music. At 38, she is overjoyed to “have it all”: a family of her own and the chance to make music on her own terms. Her career is chronicled on her website.
((Mike Halterman)) What projects are you working on? What can your fans in both America and in Europe expect to see from you this year?
Taj?i: Apart from my regular tours, which I do four a year, I am working on a show called “Need a Break,” which is a bit of a step from my spiritual music and more “everyday.” It’s more what mothers go through, with marriage and kids. It’s a funny show. What I do well is I tell stories. It’s how I am. It’s who I am. It’s why pop music didn’t work for me as an artist. This new format is great for me, it’s very fulfilling and I’m very excited and looking forward to it, being able to do that and explore musical styles.
I’m also hoping to go to Zagreb this year and bring my new music to them. I think it’s time. I’ve been away for 17 years, and they still play my old music, and occasionally I go there and do radio and television interviews…I don’t know, it’s time for them to see what I’m doing. Anyone can see my stuff online, but what I do best is live; there’s a lot of energy and power there that you can’t really see in a recording or in a video. It’s different when you’re actually in the room. I want to bring it to them and say, “Here, my countrymen, my old fans, this is who I am now. This is how I grew over the last 17 years.” Kind of like a reunion.
((Mike Halterman)) What were some of the best memories you have from going to Eurovision? What advice would you give to the singers going to Eurovision for the first time this year?
Taj?i: I really enjoyed performing, I enjoyed the energy, everyone coming together and singing, talking with other people about their careers. That was the highlight. I didn’t care for the press or the competition aspect, but there’s so much to think about, the whole country is looking at you. I don’t think it could ever be just about music, it’s more political. But there’s always stuff that comes with it when you have any kind of gathering like that.
The time I was there, I was the last representative before the fall of Yugoslavia, and it was during the unification of Europe, and everyone was a bit more tense and elevated in that regard…and I was so young to experience all of that. I don’t think I knew what to quite make of it. But it was a great experience, I’ll always remember it. The night of my life, one of them anyway.
It’s also very emotional because the singer who won that year sang about “unite unite, Europe.” It was perfect at that time. After he won, in the green room, he pulled a red rose from the bouquet and gave it to me, and he paid me some compliments. For a 19-year-old girl, that meant a lot.
My advice is to have fun, and do it with all your heart. Don’t do it for the sole reason to win, not to launch your career, but because you love it, and it’s what you do and you’re good at it. You can be an inspiration to someone and it can be more than just providing entertainment.
((Mike Halterman)) The music videos for this year are up at http://www.youtube.com/eurovision . Which songs are your favorites and which country do you think has the best chance of winning?
Taj?i: Since we’re in the middle of a tour, I kind of scrolled through, and I think the quality of the songs are really wonderful. I feel like I want to pack my bags and go to Europe for the summer, because I think this is going to be a summer for some great club music!
I’m partial to countries [who sing] in their original language, and I can see how a lot of countries, how even when they do the dance number and include ethnic elements, I like that.
I like the guy from Norway, I think he’s so sincere and didn’t look to me like he was “trying” anything, he was just being himself. The song is nice and happy. It doesn’t hurt that he’s really handsome, and has a good aura about him. He had so much energy, and he grabbed me right away, the way he moved, the way he sang, it just pulled me in.
I also love Malta, I’m a fan of the big ballads. She has a beautiful voice. And Cyprus, she “did it” for me too. I also like the French song as well, but I also love the French language in general. Bosnia has a good song too, they have a certain sentiment that they always pull from and it works for them. Croatia, I wasn’t too blown away, but I’m proud of them for still singing in Croatian, even though it may not sound as pretty as English to some people. Everything else, it was like, “It’s beautiful, but I’ve seen it before.”
Everything seems like Hollywood now, I guess because it’s the times we live in now. All the girls are so pretty and the hair and makeup are perfect, and now I feel like an old lady, but I miss the characters from different parts of the world. It’s influenced so much by Hollywood and the Western music industry. It was inevitable, the melting of it [East and West] all into one, so I’m partial to bringing some sort of local element into it. It comes with finding your identity and finding your place in the world as a country.
I volunteer and give my time to a local school and teach the schoolchildren ethnic dances. I live in the Midwest now, but I used to live in Los Angeles and New York where they are a little more aware of ethnic groups. I’m teaching them these dances to give them a little sense of what’s being lost to the new kinds of culture and music. I teach some kids who were adopted from other countries, and I wonder, wow, are they ever going to be able to sing a song in Bulgarian, or Italian, or what have you?
My kids are half-American and half-Croatian, and I see how in my own life, being “globalized” and how people are losing the ethnic folklore and culture and all that, so with my kids, I try to teach them language and how to dance, because it’s the way I grew up.
((Mike Halterman)) I watched a clip of your documentary on YouTube, and I noticed one of the comments, asking you “not to forget your home, Croatia,” and to come back because the fans there miss you. Now that you’ve made a life for yourself in America, do you ever see yourself moving back to Croatia with your family? Which country do you feel more ties and loyalty to, the United States or Croatia, and why?
Taj?i: I want to take the kids and at least spend a year there when they’re teenagers, so I can show them my country and so they can learn different things there. But I don’t know, once you leave, it’s hard to go back. I miss my country, I miss the history. I miss my roots. I miss running into a friend and talking about high school and grade school, stuff that you don’t have when you move away. I love what I do, and I love what America has to offer, and what America did offer to me. There’s a certain kind of freedom that you have that you can’t have in a smaller country.
I will always be Croatian, it doesn’t matter how long I stay here. When I go home to Croatia, when I go there, I feel like I’m home, but when I come back to America, I feel like I’m home here too. I guess I have to say that a person can be “home” anywhere if they have peace within themselves. You’re gonna miss a lot of things about places you have been, and I do miss Croatia. I want to show my kids where I grew up and the parks where I played. That just may be a sentiment I’m going through right now, I don’t know. I have a good life, my husband and kids, and I love being able to make the kind of music I want to, without any contracts or obligations. I’m very happy.
In early May, Wikinews extended an invitation to Vitaly Filipchenko, an independent candidate in the 2021 New York City mayoral election, set to take place November 2nd, alongside other candidates. Filipchenko answered some questions about his policies and campaign during a phone interview.
Filipchenko, registered on the New York City Campaign Finance Board as Vitaly A. Filipchenko, is the first Russian candidate for New York City mayor, being born in Tomsk, Siberia in 1973, according to news agency Sputnik. He has since naturalised as a United States citizen. According to the web site, Filipchenko has been educated in road construction and maintenance and owns a moving services company; he describes himself on his web site as a “small business owner”. On his web site’s platform page, he says that “[m]y English may not be perfect – but my platform is.”
Incumbent Democratic mayor Bill de Blasio, who won re-election in the 2017 New York City mayoral election by 66.5%, cannot run for a third term under term limits. As of April 28, 22 candidates are currently running, the majority of whom are also Democrats. Ahead of the June Democratic primary for New York City mayor, a poll conducted May 23 and 24 by WPIX and Emerson College of 12 Democratic candidates with a margin of error of 3.2 per cent has former commissioner for the New York City Department of Sanitation Kathryn Garcia and Borough President of Brooklyn Eric Adams leading with 21.1% and 20.1%, respectively.
“Old deeds threaten Buffalo, NY hotel development” — Wikinews, November 21, 2006
“Proposal for Buffalo, N.Y. hotel reportedly dead: parcels for sale “by owner”” — Wikinews, November 16, 2006
“Contract to buy properties on site of Buffalo, N.Y. hotel proposal extended” — Wikinews, October 2, 2006
“Court date “as needed” for lawsuit against Buffalo, N.Y. hotel proposal” — Wikinews, August 14, 2006
“Preliminary hearing for lawsuit against Buffalo, N.Y. hotel proposal rescheduled” — Wikinews, July 26, 2006
“Elmwood Village Hotel proposal in Buffalo, N.Y. withdrawn” — Wikinews, July 13, 2006
“Preliminary hearing against Buffalo, N.Y. hotel proposal delayed” — Wikinews, June 2, 2006
Original Story
“Hotel development proposal could displace Buffalo, NY business owners” — Wikinews, February 17, 2006
Friday, March 10, 2006
Buffalo, New York —The Common Council of Buffalo voted on Tuesday to send the Elmwood Village Hotel proposal “to committee for further discussion”, after citing the need for more public involvement.
The Elmwood Village Hotel is a development proposal by the Savarino Construction Services Corporation, a project designed by the architect Karl Frizlen of The Frizlen Group. The hotel would be placed on the southeast corner of Elmwood and Forest Avenues in Buffalo.
To make way for the project, at least five buildings located at 1109 to 1121 Elmwood Ave would be demolished. At least two properties on Forest Avenue could also be demolished. The Elmwood properties, according to Eva Hassett, Vice President of Savarion Construction, are “under contract”, but it is unclear if Savarino Construction actually owns the Elmwood properties. Hans Mobius, a former mayorial candidate, is still believed to be the current owner the properties. Mobius also owns 607 Forest Avenue.
The properties 605 and 607 Forest Avenue could also be included in the proposal according to Hassett.
“We would use a Special Development Plan to rezone 1119-1121 Elmwood and 605 Forest to a C-2 zoning category,” stated Hassett. It is possible that Savarino Construction may try to obtain a variance for 605 Forest, which would allow them to enforce eminent domain, should the hotel be allowed to go forward.
The building at 607 Forest was also discussed to be rezoned, but it is unclear what the plans would be for that property. During the February 28 Common Council meeting, Hassett stated that the properties 605 and 607 were “now off the agenda”.
Pano Georgiadis, owner of Pano’s Restaurant at 1081 Elmwood, owns the property at 605 Forest and attended Tuesday’s Common Council meeting.
“Having a hotel is a bright idea. We all love the idea of a hotel, but the way that it is presented, is wishful thinking. This hotel does not fit. It’s like putting two gallons of water in a gallon jug, it does not fit. At the last meeting, the architect admitted that they are planning to put the undergound parking lot and the hotel, right at the property line. If I open my window, I will be able to touch the wall, that goes fifty feet high”, said Georgiadis.
“There is a problem having a seventy-two room hotel and fifty-five parking spaces. That means that all the other cars will spill all over the neighborhood. The footprint is simply too small. If you have a bigger [parking] lot, and a smaller hotel, I will welcome a hotel. I have a parking lot at my own business, and I am chasing people all day long. Remember, the city says it has ‘zero tolerance [for illegal parking]’. Try telling that to the guy from Albany who came to see his kids, that are going to Buffalo State, who would get tickets totaling over a hundred dollars”, added Georgiadis.
The city’s Planning Board is scheduled to meet on March 14, 2006 at 9:00 a.m. about the proposal. Although a discussion will take place, no vote is expected to be taken.
At the moment, none of the properties are zoned for a hotel. Savarino Construction plans on asking for a C2 zoning permit. If that does not work, they plan to implement a new zoning plan called a “special development plan” which would allow for only a hotel on the site. That zone would not be able to be changed.
“This [project] justifies Mobius’s refusal to invest in any maitenance[sic] or improvements”, on the properties said Clarence Carnahan, a local resident. “Where were the Council persons over the years? Where were the city inspectors over the years, to make sure that he maintained and improved his properties? The government was supposed to be protecting, not being preditorial. I see a predatorial issue here when it comes to this hotel. Over the years: Why has the local government been disfunctional when it came to Mobius’s properties? Refusal to invest in improvements, doesn’t that sound like a slumlord? Maybe I am missing a point here, but what kind of messages does this send to other slumlords that havn’t[sic] been jailed or fined? It’s [the hotel] trying to be pushed through.”
Carnahan also presented signs for residents and or business owners who are opposed to the hotel, that could be placed in windows or on stakes in the yard. Some of the signs said, ‘No tell hotel’, ‘Hans off, no hotel’, ‘It takes more than a hotel to make a village’. and ‘Keep Elmwood free, no hotel’. Carnahan plans on making more signs for a protest to be held on Saturday March 18, at 2:00 p.m. (EST) on Elmwood and Forest. Some signs were given to individuals after the meeting.
“First things first, Hans is the problem, and I don’t think it has been addressed. Let’s roll back the clock on this project. What can we do with Hans? There is such thing as eminent domain, which could be of greater interest to the community, to seize the property at its lowest assessed value”, said Nancy Pollina, co-owner of Don Apparel with Patty Morris at 1119 Elmwood. “There are so many ideas that have not been explored and we are about to give this parcel away, to a big developer.”
Mobius has not returned any calls by Wikinews regarding the situation.
A freelance journalist writing for Wikinews has obtained a letter, exclusively, addressed to one of the five business owners from Hans Mobius stating:
There is a proposal to develop my property which you are currently renting. Because of opposition to this development, it does not look like it will happen. I will let you know if there any changes.
Despite the letter, there have been no plans or decisions made to end the proposal.
To date, none of the business owners or residents of 1119-1121 Elmwood have received an eviction notice.
Business owners and residents gave an indication of what they would like to see happen at the corner; a project similar to one done locally last year. There, developers renovated two buildings on Auburn and Elmwood Avenues, merging the buildings into one thus allowing for more shop space. Among some of the shops to move in after the development were Cone Five Pottery, The Ruby Slipper, and Abraham’s Jewelers. Prior to the renovation work, the left building in the picture was boarded up for several years. Many of the concerned locals would like to see a similar development on Forest and Elmwood.
Rocco Termini, a developer in Buffalo, proposed a similar design at the February 28 community meeting
In an interview after the February 28 meeting, Termini stated, “I will be willing to take a look at this myself, or I would be more than happy to be partners with Sam, Sam Savarino”, who is President and Chief Executive Officer of Savarino Construction Services Corp.
So far Savarino Construction has no plans to team up with Termini.
Correction — May 24, 2008 This article refers to the “US Department of Environmental Protection (DEP)”, though the term “Department of Environmental Protection” actually refers to state agencies, and in this case refers to the Massachusetts Department of Environmental Protection, not a United States federal agency.
The Cambridge city council adopted a resolution on April 4 to request that the US Department of Environmental Protection (DEP) “take explicit account” of the activities of local construction firm W. R. Grace, which has previously contaminated an industrial area near the Alewife train station with asbestos. The council cited Grace’s “extraordinarily extensive and well-documented history of contaminating sites and concealing the contamination” as the reason for its request.
The resolution was a reaction to a Response Action Outcome Statement and Risk Characterization (RAO) that W. R. Grace filed with the DEP. The Cambridge Chronicle recently took the filing as evidence that “the state seems poised to stop watching over” the contaminated site.
In February, W.R. Grace was indicted by a federal grand jury for contamination as a product of vermiculite mining operations in Libby, Montana, USA. The company was also charged with “concealing information about the health affects [sic] of its asbestos mining operations.”
On Saturday, the Trump Tower, in Midtown, New York City, caught fire shortly before 18:00 EST (2200 UTC) on the 50th floor, claiming the life of a 67-year-old resident, Todd Brassner, who lived in apartment 50C. All other residents were evacuated without incident. During the fire, six firefighters received non-life-threatening burns and other minor injuries. Neither US President Donald Trump nor the First Family were in the building at the time of the fire.
The high-end Fifth Avenue address is the personal residence of President Donald Trump, whose family occupies the top three stories of the 58-story building. The US Secret Service maintains a constant security presence inside the building with the New York City Police Department guarding a hard perimeter, intended to stop vehicular attacks, and a soft perimeter, intended for on-foot attacks.
The four-alarm fire required 200 firemen, extra police, and paramedics. At 20:00 EST (0000 UTC Sunday), the New York City Fire Department (FDNY) declared the fire was under control. Trump tweeted, “Firemen (and women) did a great job. THANK YOU!” This is the second fire at Trump Tower since the election; previously on January 8, a fire was caused by an electrical malfunction in a cooling tower on the roof. Three FDNY firefighters received minor injuries, and all residents and office workers evacuated without incident on that occasion.
Trump Tower provides a number of unique problems never before encountered by the Secret Service. Never has a US President’s personal residence been inside a skyscraper or in a densely populated area like Midtown. The security measures have disrupted vehicular and pedestrian traffic requiring time consuming detours and delaying emergency response.
The New York Fire Code did not mandate sprinkler systems at the time Trump Tower was built in 1983, which might have reduced the size and severity of the fire had they been present. The 50th-floor apartment was, according to FDNY Fire Commissioner Daniel Nigro, “[T]he apartment was virtually, entirely on fire.” The Secret Service monitors all the fire alarms in the building but it took time to find the source of the thick black smoke emanating from the fire. Secret Service Agents escorted the firefighters throughout the building, including the Trump residence.
Brassner, the sole casualty, was unconscious when firefighters pulled him out of apartment 50C. He was transported to Mount Sinai Roosevelt Hospital. Originally listed as critical, he was pronounced dead sometime during the night. Brassner, guitar collector, was acquainted with artist Andy Warhol and was acknowledged in Warhol’s 1989 autobiography, The Andy Warhol Diaries. The cause of the fire is unknown, with investigations into Brassner’s death and the emergency response ongoing. Currently, the Secret Service leads the investigation.
London — A few hundred England fans weren’t watching the 2006 FIFA World Cup match against Sweden last night in a pub or at home, but instead had ventured out to their local cinema to see the game on the big screen. A number of Odeon cinemas nationwide have been using digital projection technology to screen the matches live with a high definition (HD) picture. HD broadcasts contain a greater level of detail than traditional TV broadcasts, meaning a sharper picture and better sound quality.
In the darkened auditorium of the cinema in Covent Garden, the audience (or should that be crowd?) were behaving almost as if they were at the stadium, singing along to the national anthem, cheering at the England goals and groaning at the Sweden chances. At times, chants being sung by the England crowd at the match were even picked up and sung along to by those watching the cinema screen like some kind of football karaoke contest.
Trailers before the match were replaced by a soundtrack of England anthems, both the successful and not-so-successful ones, and the traditional movie treat of popcorn was replaced by trays of beer (in plastic cups) being brought in by the punters. The cinema had cheekily listed the screening as being ‘directed by Sven-Göran Eriksson’ and as ‘starring Wayne Rooney (hopefully)’.
Despite a disappointing 2-2 draw, the audience seemed impressed with the experience. “I’m a bit short and so wanted to make sure I had good view without having to jostle around for position,” Amanda, from London, explained to me. “I also liked that it was non-smoking, and there was a fabulous atmosphere”. Sian, Caio and Laura, who lived locally, said they wanted to see the match on the big screen and commented on the excellent picture quality.
Other events that have been broadcast by the cinema chain include concerts by Robbie Williams and Elton John. Odeon Marketing Director Luke Vetere said “offering films is just one part of the cinema experience – our ambition is to offer guests the chance to watch other events they feel passionate about”. Watching football in the cinema is not a brand new event though, during previous World Cups such as in 1966, film footage from the matches was broadcast in cinemas after the event, providing a way for people to see the games in colour when TV broadcasts were in black and white.
Cinema screenings aren’t the only way that fans can watch the World Cup games in high-definition this year though, as both Sky TV and Telewest have been broadcasting the games in HD to viewers with a special set-top box. There have been trials with HD on the growing Freeview platform too, with a pilot group of a few hundred viewers in London. However, as any move to roll out HD on Freeview would use up extra space on the broadcast spectrum and would require viewers to buy a new set-top box, it seems unlikely that this will happen any time soon.
Australia lost The Ashes for the first time since 1987 in the 2005 Ashes series, when England won the series 2-1, with the other two tests drawn.
Australia won the toss and batted first on the WACA ground wicket. The English bowling dominated, dismissing Australia for 244 off 71 overs. Michael Hussey was the only Australian to build an innings, scoring an unbeaten 74. Recalled left-arm orthodox spinnerMonty Panesar claimed 5-92, and teammate Stephen Harmison took four wickets.
England went in to bat late on day one, and lost two wickets for 51 runs before the close of play. On the resumption of play on day two, the wickets continued to fall, and they were eventually bowled out for 215. Kevin Pietersen made 70 for the visitors, whilst Stuart Clark took 3-49 for the home team.
The second innings of Australia was a vast improvement. They lost one wicket before stumps on day two, and resumed at 1-119 on day three. They proceeded to dominate England in 40oC+ temperatures, with three Australians – Michael Clarke, Michael Hussey and Adam Gilchrist – scoring centuries. Gilchrist’s century was the second-fastest in history, reaching 100 in 57 deliveries. Australia declared their innings closed late on day three at 5-527.
England required 557 to win in their second innings, or needed to bat for two-and-a-bit days to salvage a draw and keep the 2006-07 series alive. They were 1-18 by the close of play on day three. On day four, English batsman Alastair Cook scored his first Ashes test century, stalling Australia’s roll towards victory. He was assisted by teammate Ian Bell, who made 87.
Cook was dismissed by paceman Glenn McGrath on 116 in the third last over of day four, sparking an English batting collapse; the visitors were 5-265 at stumps on day four, after losing three quick wickets. Day five saw England bat well for an hour, before collapsing after losing captain Andrew Flintoff to be all out for 350 two balls after lunch. Shane Warne finished with 4-123 in the second innings, whilst Pietersen was unbeaten on 59.
Michael Hussey was named Man of the Match for his two innings of 74 not out and 103.
The fourth test will begin on Boxing Day (December 26) at the Melbourne Cricket Ground. Warne requires just one wicket to be the first bowler in history to reach 700 Test wickets.
Iran has been operating a nuclear program for years and announced opening a new uranium facility on Tuesday. Its claims over nuclear enrichment are for a nuclear power program, although this requires 5% enrichment as opposed to the 20% enrichment level they claim the right to pursue which is more commonly used in nuclear bombs.
Wikinews interviewed Amir Abbas Fakhravar, the President of the Iranian Freedom Institute which is based in Washington DC, United States, also a research fellow at the The Institute of World Politics, about the Iranian nuclear program in light of recent talks with this week with the P5+1 group of countries.
((Wikinews)) What is your role at the Iranian Freedom Institute?
Amir Abbas Fakhravar: I am the President and Founder of the Iranian Freedom Institute.
((WN)) Iran seems unwilling to give up its nuclear programme, do you think they will eventually given the UN [United Nations] sanctions?
AAF: The only way Islamic Regime in Iran will give up its nuclear program is either full operation and military attack by the West or total oil sanctions. 85–90% of the the Islamic Republic’s money comes from crude oil sales. This money does not go to the Iranian people, but instead funds the nuclear program, the Revolutionary Guards, basijis, Hezbollah, and other terror operations worldwide. The Islamic Republic will be forced into abandoning its nuclear program when oil sanctions dry up the money supply.
((WN)) Do you feel the Islamic Republic of Iran is trying to provoke a response from the Western nations (USA, UK, France, Germany)?
AAF: A limited military response from the West which will not be for a regime change would be a gift to the Islamic Republic, and would feed the narrative of “overreaching, imperialistic Western governments” perpetuated by the regime. The IR is well aware of the rapid decline in support from the Iranian people and is looking for a way to gain back some of that support, even superficially. An attack from the west would buoy the regime and damage the work being done by the opposition.
((WN)) What is the need for Iran to have a nuclear programme, are they doing it for energy or for weapons?
AAF: Iran makes clear its intentions for the nuclear program through its actions. The regime expresses desire to annihilate Israel almost daily, and has repeatedly refused negotiation and inspection of its nuclear sites. Also you can find several type of energies in Iran and at all they don’t need to have this expensive and dangerous nuclear energy. For sure Islamic republic of Iran wants to have Nuclear bomb.
((WN)) If Iran does not listen and change course with regards to its nuclear program, do you think that the United Nations will apply more sanctions?
AAF: It took a very long time to sanction the Islamic Republic to the extent it is now, and since the UN continues to send negotiators to the table to discuss Iran’s nuclear program, tighter sanctions at this point in time are unlikely. It is our responsibility at Iranian opposition to inform United Nations about this regime’s threat to international community. We should move much more organize[d] and faster to cut Islamic Republic’s diplomatic relationship with the world. Our campaign on oil sanctions showed us it is possible.
((WN)) Do you think that the United States is particularly unhappy and international relations are poor considering that Iran recently captured a drone and refused to return it?
AAF: While a failure militarily and with regard to foreign policy, the captured drone incident is a relatively small event in the context of ongoing tensions between the United States and the Islamic Republic.
According to the Pew Research Center, a non-advocacy organization that evaluates issues, attitudes and trends shaping the political landscape of the United States, centrism is on the rise in America. According to Pew, the number of Americans identifying themselves as independents has reached the highest level in 70 years.
Recently 36% of Americans say they are independents, 35% identify as Democrats, while 23% see themselves as Republicans. Some people are abandoning the major parties, re-registering as independent or joining third parties.
One of these third parties are the Modern Whig Party (MWP), who have enjoyed phenomenal growth over the past year; from just 3,000 members last summer to 30,000 now. With the Party’s commitment to “fiscal responsibility” and “bold social progression”, several conservative Democrats and centrist Republicans have been attracted to it.
Wikinews reporter Joseph Ford recently spoke with the Modern Whig Party’s chairman, Mike Lebowitz, about the MWP’s history, present state and future prospects. “Our membership is comprised of people from all parts of the mainstream political spectrum,” Lebowitz explains. He says that the MWP has “pragmatic, realistic, and mainstream” approaches to the numerous issues facing America today.
“A number of print and broadcast media outlets have even gone so far as to proclaim that the Modern Whig Party is “potentially viable,” and “makes sense”,” Lebowitz points out. “We are building this organization realistically, methodically and gradually in an effort to get this right.”
He went on to say much more — including why he thinks you should consider leaving the GOP or the Dems for the MWP — in the interview below.